He's almost 70 years old, but genre great George A. Romero still has a few zombie stories up his sleeve. According to Variety, the hard-working horror-maker has already started production on an as-yet-untitled horror film. Oh, and get this: It's a zombie movie! (Like most fans, I really dig films like Martin and The Crazies, but I suppose I dig George's zombie tales the most.) Shooting has already begun in Ontario, and it sure looks like Romero is going the indie route again. No word yet on who'll be distributing this one (once it's finished) but the folks at Cinetic Media will be handling those duties.

The flick will be about some folks on "an isolated island off the North American coast who find their relatives rising from the dead to eat their kin. The leaders of the island feud over whether or not to kill their reanimated relatives or preserve them in hopes of finding a cure." So to those who wondered how George could keep the armageddon going after Night, Dawn, Day, Land and Diary, now you know: Island of the Dead. Works for me. Here's hoping Romero introduces a really goofy Gilligan-style character -- and has him devoured in the first ten minutes.

Bonjour! Buenos dias! Whassup! It's diversity week here at the Trailer Park and we're looking at previews for films from our about different cultures.

Dragonball
I've seen only a a few episodes of the Japanese cartoon on which this live action film is based, but I'm not seeing a whole lot here that reminds me of the anime. Frankly it reminds me more of Mortal Combat Kombat. Like the original, this is a martial arts fantasy with prophecies, super powers, lots of action and a hero with preposterously spiked hair. Chow Yun Fat is in there to add some action movie cred, but will that be enough? From what I've read the anime fans are not thrilled with this one, and it's not doing a lot for me either. I don't think this one if for me.

Amexicano
Here's a charming looking indie about a friendship between and Italian American and an illegal immigrant from Mexico. Bruno (Carmine Famiglietti) is behind on his rent and reluctantly goes into the construction business, hiring Mexican day laborers to help him. When he hires Ignacio (Raúl Castillo) the two forge a bond despite the fact that Ignacio does not speak English. I'm looking forward to this one.

I defended the Saw franchise long past the point where most self-respecting cinephiles and even genre geeks abandoned it. It was only after the moronic, baffling Saw IV that I got off the bandwagon. But as someone who thinks the franchise has (had?) something to offer beyond the admittedly questionable thrills of what smug know-nothings call "torture porn," I'm anticipating this month's annual installment with an ever-so-slight glimmer of hope. The first three films took a gimmicky serial killer concept and expanded it to something big and increasingly baroque, piling on twist after twist that, to me, consistently seemed bold rather than (merely) ludicrous. They were gruesome, yes, but they were also moody and visually exciting; Darren Lynn Bousman, in particular, seemed to take painstaking care in the second and third films to construct a cruel, self-contained universe around the crazy-ass story.

So here, briefly, are three things Saw V -- which sees the franchise's production designer David Hackl take over directing duties from Bousman -- could do to avoid the pitfalls of its immediate predecessor and restore my faith in the series.

I'm starting to think I'm the only one out there who still follows the old maxim: If it ain't broke, don't fix it. But, it's downright silly of me to think that a movie producer would ever miss the chance to earn a few bucks on a remake. Variety reports that Michael De Luca has partnered with Alison Rosenzweig and Michael Gaeta on a remake of Alan Parker's (Evita) 1987 horror-suspense flick, Angel Heart.

Angel Heart originally starred Mickey Rourke as a seedy private investigator hired to locate a nightclub singer who's gone on the run. Robert De Niro co-starred as Rourke's mysterious client, Louis Cyphre, along with Lisa Bonet as the daughter of a voodoo priest. The film had a little bit of everything: voodoo, hard-boiled detectives, the prince of darkness, and more plot twists than you can shake a stick at. Not to mention the film is probably best remembered for its controversial sex scenes starring a Cosby kid naked and rolling around in blood.

The film might not have been a huge hit upon release, but has gained cult status over the years, and according to Variety, De Luca "has long been a fan of the novel." The production is still in its early stages, and so far there are no names attached to the project. De Luca adds, "It's a great blend of genres with a great Faustian bargain, compelling, universal themes and a rare combination of literary and commercial appeal." One thing is for sure -- unless they have some changes planned for the update, I wouldn't exactly describe the story of Harry Angel as one with 'commercial appeal' ... would you?

I've done reports on the After Dark horror series, the Asylum assembly line, and the monumentally moronic Maneater collection -- so I see nothing all that strange about throwing a little genre love towards Magnet's new Six-Shooter Series. (The only difference this time around is that we're going to be talking about GOOD genre films.)

To those who demand to know what the hell phrases like "Magnet Six-Shooter" mean, here's an explanation: Magnolia Films recently kick-started a genre-intensive division (called Magnet Releasing), and the guys are pretty psyched about their next six flicks. There, I've just demystified the phrase "Magnet Six-Shooter." You all owe me three dollars. And here's what's coolest about a six-flick genre series that's run by Magnolia Pictures: You'll actually get something EXOTIC out of the mix.

To use the finest example imaginable, it is Magnet Releasing that was lucky enough to land U.S. distribution rights for the stunningly awesome Let the Right One In, which is dazzling people all over the festival circuit. (And that was a great roll of the dice, as Magnolia grabbed it well before it was earning 5-star reviews across the board.) The film will open in limited release on October 24, but be sure to keep an eye out for the DVD as well. This flick is a keeper for sure.

I haven't even finished all of my Fantastic Fest work yet (expect a semi-large wrap-up real soon), but my inbox has been flooded with new reports from three other genre festivals. And since I love this stuff, I figured I'd throw 'em all into one handy section. Let's begin reverse-chronologically, shall we?

Beginning on October 17 is the small-but-powerful Toronto After Dark festival (October 17 - 24), which aims to fill a post-TIFF void while Midnight Madness programmer Colin Geddes and his staff take a well-earned vacation. I shan't be able to attend this fine-looking event, but the final slate just came in -- and I can definitely vouch for titles like the brilliant Let the Right On, the amusingly bizarre South of Heaven, the splatterific Tokyo Gore Police, and the stylishly nasty Donkey Punch. Among those "ooh, I wanna see that" titles we have Kevin Tenney's Brain Dead, the comedy horror Netherbeast Incorporated, and I Sell the Dead, which stars Ron Perlman, Dominic Monaghan, Larry Fessenden AND Angus Scrimm. Cool. For more info on Toronto After Dark, click right here.

After the jump: More geeky droolings on L.A. Screamfest and the biggie: SITGES!

Above: Jasper Sharp, author of Behind the Pink Curtain; the Alamo Drafthouse; Sean Donnelly (blue shirt), director of doc I Think We're Alone Now; Rian Johnson (glasses), director of The Brothers Bloom; Devin Faraci (glasses and beard), writer, CHUD.com, in the midst of debate; Jay Slater, English writer, ready to resolve a debate by boxing.

What qualifies a mainstream comedy like The Brothers Bloom to screen at Fantastic Fest, a festival reknowned for its horror, science fiction, fantasy, and other hard-core genre entries? One answer might be: 'Because co-founder Harry Knowles said so,' but even Knowles wondered if the film belonged in the program. The better answer might be: 'Why the heck not?' The best film festivals in the world are programmed by knowledgeable people who are passionate about presenting films they love to audiences who are eager to discover great new work.

In his introduction to the film, which was presented as the first "secret screening" of the festival (titles not revealed in advance; the shows always sell out anyway) on Tuesday evening, Knowles expressed his conviction that writer/director Rian Johnson "creates his own worlds." Certainly there are fairy-tale aspects to Johnson's featherweight con man tale, but I doubt anyone present really cared if the film "belonged" at the festival or not. The steady stream of visual gags drew near constant laughter, though I agree with James Rocchi that the film drags too long and, for me, edged too far into sentimental obscurity. The Brothers Bloom opens wide in January.

My screening day began with horror thriller Donkey Punch, a conventional yet refreshingly hard-edged dive into depravity that could be summed up as "threesomes never end well for anybody," a modern updating of the 80s slasher film notion that sexually active teens must pay for their sins by dying in repulsive ways. It's due for limited release in January.

First up, there's a whole new buddy comedy on the way from the writers of Harold & Kumar -- Jon Hurwitz and Hayden Schlossberg. The Hollywood Reporter posts that the duo have whipped up a new pic called 'Til Beth Do Us Part. Like H&K, the film will focus on two twenty-something guys, but instead of focusing on the great high, it's about how a friendship is put to the test once one of them gets engaged. I bet you anything this came from those Amsterdam-set follow-ups on the Guantanamo Bay DVD. We should hear more soon -- the plan is to get this comedy in production by early next year.

But there's also White Dad, according to THR. This spec, which comes from writer Alan Yang, is being kept completely under wraps. It shouldn't be too hard to make some possible guesses. The writer is a Yang, and it's about white dads, so maybe it's about a Chinese kid adopted by a white family? Stay tuned!

And finally, there's Matt Reeves. THR reports the Cloverfield director is going to write and direct a remake of the Swedish horror film Let the Right One In. The premise of this flick would've sent my teen penchant for vampires into overdrive -- "a bullied boy whose desire for revenge becomes intertwined with his growing love for a girl who happens to be a vampire." It won an award for Best Narrative Feature at the Tribeca Film Festival, and Scott loved it, so this should be good stuff. We can see the original next month, when it is appropriately released on October 24.

The trades apparently read yesterday's tirade about their not being any news -- because as weird luck would have it, everything hit the wire as I was getting my Anderson Cooper fix. (I'm not making that up for the sake of cuteness, it's true. The evening is not complete until I discover I lost the 360 Challenge ... again) Now, to the headlines:

• Being the sole man alive never meant you couldn't get a franchise! Variety reports that Warner Bros is putting a prequel to I Am Legend into production. The prequel boasts the return of Will Smith and director Francis Lawrence, and is based on a script outline cooked up by Smith, Lawrence, and producers Akiva Goldsman and James Lassiter. Obviously, it takes place before the plague wiped out New York. I hope they go daring and all Terminator 3-ish, and show Smith as being the scientist responsible for the whole mess. I also hope they name it I Will Be Legend.
  

• Top Cow continues its slow takeover of comic book movies -- IESB reports that Fathom movie is back on, despite creator Michael Turner's untimely death. And reportedly, Cinematical's ever present friend Megan Fox has snagged the lead as Aspen Matthews. It's all from anonymous sources, but given that Magdalena and Witchblade are on their way, I wouldn't be surprised if it's made official before too long.

• Who needs Iron Man and Samuel L. Jackson cameos? September 30th brings, at long last, your chance to finally own David Hasselhoff's Nick Fury: Agent of S.H.I.E.L.D on DVD. Don't think you can pick this up just anywhere, though, it's exclusive to Best Buy. But what price to pay for a cult classic?

(from left to right) Fantastic Fest programmer Zack Carlson, Fantastic Feud co-hosts Devin Steuerwald and Scott Weinberg, and Not Quite Hollywood director Mark Hartley

With the weekend came no sure rest for Fantastic Fest attendees. Saturday kicked off with, among other things: a screening of Conquest of the Planet of the Apes shown from an HD master of a cut unseen in over thirty-five years; initial screenings of the very popular Tiffany stalker doc I Think We're Alone Now and the very anticipated Swedish vampire drama Let the Right One In (which can now fall firmly in the former category); and a boat party held in honor of Donkey Punch, in which several youthful types face some serious consequences after their high behavior on the high seas. Did life end up imitating art on that front...?